{"id":18897,"date":"2023-05-29T08:04:52","date_gmt":"2023-05-29T08:04:52","guid":{"rendered":"https:\/\/barazalab.com\/?p=18897"},"modified":"2023-11-27T12:32:41","modified_gmt":"2023-11-27T12:32:41","slug":"curators-desk-written-by-ai","status":"publish","type":"post","link":"https:\/\/tuwele.com\/baraza_update\/curators-desk-written-by-ai\/","title":{"rendered":"Curator’s Desk Written By AI"},"content":{"rendered":"

From the Curator\u2019s Desk<\/b><\/b><\/p>\n

Greetings, friends:<\/span><\/p>\n

I\u2019ve written before about <\/span>the seemingly clever ChatGPT<\/span><\/a>, but this was at the beginning of the year and it seems AI is developing blindingly fast. So this week I asked Chat GPT to write the Curator\u2019s Desk section of this newsletter, pasted below. Apart from a few factual errors that I picked up on, I begrudgingly admit ChatGPT did a pretty decent job.\u00a0<\/span><\/p>\n

At Baraza we\u2019ll be taking some time to host conversations on journalism, AI and the creative economy over the next few months, to really unpack what these new technologies mean for the industry. As a conversation starter, I\u2019m pasting ChatGPT\u2019s write-up below. What do you think? Can you tell that the next 500 words were written by AI? I almost can\u2019t. (I heard someone say that ChatGPT\u2019s style reminds them of junk food, which has a form of \u2018mouthfeel\u2019 and fills you up, but ultimately does not leave you satisfied. Still, there\u2019s a reason junk food is addictive.)<\/span>
\n<\/span>
\n<\/span>[ChatGPT writing begins]<\/span><\/p>\n

\u201cWelcome to this fortnight’s issue of your favorite African media-focused newsletter. Today, we’re journeying into the vibrant, exciting world of African animation, an industry experiencing an impressive rise and capturing the hearts of viewers both locally and internationally.<\/span><\/p>\n

Animation in Africa has a long history, but in the past decade, this burgeoning industry has experienced exponential growth, mirroring the continent’s rich cultural, historical, and artistic diversity. With the advent of accessible digital technologies, local animators have found a platform to create authentic African narratives, charming viewers globally and shifting the western-centric focus of the animation industry.<\/span><\/p>\n

In Nigeria, Anthill Studios has captured the spotlight with their upcoming full-feature animated film “Frogeck.” The studio’s previous works, like the thrilling “Malika: Warrior Queen,” have received international accolades, paving the way for the new wave of Nigerian animation. Frogeck, with its intriguing narrative of friendship and unity, promises to be another breakthrough for African animation.<\/span><\/p>\n

Meanwhile, in South Africa, Triggerfish Animation Studios, often dubbed “Africa’s Pixar,” continues to garner global acclaim. Their offerings such as “Adventures in Zambezia” and “Khumba” have found audiences around the world, with the latter even securing a Netflix distribution deal. They’re also nurturing the next generation of African animators through their Story Lab initiative, which develops African writers and directors.<\/span><\/p>\n

Kenya has also joined the animation fray with characters such as “Akili and Me,” an edutainment series promoting literacy and numeracy among children. These shows, produced by Ubongo Kids, broadcast in over 40 African countries, emphasizing the cross-border appeal of African animations.<\/span><\/p>\n

Another notable development is the Pan African Animation Association (PAAA), a body aimed at creating a vibrant and sustainable animation industry across the continent. Through workshops, collaborations, and training sessions, PAAA strives to develop the technical skills of African animators, fostering a conducive environment for the industry’s growth.<\/span><\/p>\n

Although the animation sector’s rise in Africa is promising, there are still challenges to overcome, including limited financing, inadequate training opportunities, and the need for wider distribution channels. However, the tide is changing. The influx of internet connectivity and smartphones across the continent has widened the distribution landscape. Moreover, the growing international recognition of African animation has drawn the attention of global investors and media giants, paving the way for more collaborations, investments, and, consequently, growth in the sector.<\/span><\/p>\n

The rise of African animation illustrates a broader trend: the renaissance of African storytelling. It’s a testament to the determination of African creatives to rewrite the narrative, championing the uniqueness of African stories and presenting them to the world in a captivating way.<\/span><\/p>\n

Keep an eye on this exciting realm of African media. We’ll continue bringing you the latest updates, stories, and features about the continent’s dynamic media landscape. Thank you for being a part of our journey.<\/span><\/p>\n

[ChatGPT writing ends]<\/span><\/p>\n

In the meantime, here\u2019s:<\/span><\/p>\n