{"id":17961,"date":"2021-10-10T07:42:41","date_gmt":"2021-10-10T07:42:41","guid":{"rendered":"https:\/\/barazalab.com\/?p=17961"},"modified":"2023-09-04T05:40:30","modified_gmt":"2023-09-04T05:40:30","slug":"nobel-prize-win","status":"publish","type":"post","link":"https:\/\/tuwele.com\/baraza_update\/nobel-prize-win\/","title":{"rendered":"Nobel Prize Win"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Greetings, friends:<\/span><\/p>\n<p><span style=\"font-weight: 400;\">This week\u2019s big news was that the 2021 Nobel Peace Prize has been awarded to two journalists, Maria Ressa co-founder and CEO of online news site<\/span><i><span style=\"font-weight: 400;\">\u00a0Rappler\u00a0<\/span><\/i><span style=\"font-weight: 400;\">in the Philippines, and Dmitry Muratov, editor-in-chief of the Russian newspaper\u00a0<\/span><i><span style=\"font-weight: 400;\">Novaya Gazeta<\/span><\/i><span style=\"font-weight: 400;\">. Ressa, Muratov and both publications have been at the forefront of creating space in their respective countries for democratic expression, free speech, and in the truest sense, speaking truth to power, and at great risk to themselves. Between them, Ressa and Muratov have been arrested, harassed, threatened, and even convicted of trumped-up charges by the governments of Rodrigo Duterte and Vladimir Putin, and the journalists who work under them at\u00a0<\/span><i><span style=\"font-weight: 400;\">Rappler<\/span><\/i><span style=\"font-weight: 400;\">\u00a0and\u00a0<\/span><i><span style=\"font-weight: 400;\">Novaya Gazeta<\/span><\/i><span style=\"font-weight: 400;\">\u00a0are just as brave to keep at such important &#8211; and dangerous &#8211; work.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">The day before the Nobel Peace Prize announcement, I attended the launch of\u00a0<\/span><i><span style=\"font-weight: 400;\">Pioneers, Rebels and a Few Villains<\/span><\/i><span style=\"font-weight: 400;\">, a sweeping exploration of 150 years of journalism in Eastern Africa, edited by the inimitable Charles Onyango-Obbo. At the launch, in explaining the rationale for the book, Onyango-Obbo highlighted that \u201cthe story of the media in Africa has mostly been told as one of torment,\u201d in the book\u2019s introduction he writes, \u201cIt\u2019s a hard place to be a journalist, with death, prison and all manner of repression posing constant threats&#8230;many journalists in Africa have died destitute.\u201d<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">The book, then, is an attempt not only to tell the difficult stories of persecution &#8211; and there are many &#8211; but also to \u201cextract [journalists] from under the oppressor\u2019s boot\u201d, and simply tell their stories and see their humanity. It\u2019s not an attempt to seek \u201crecognition\u201d for long-suffering, but more just getting a look into the people who do this frequently dangerous and thankless work.<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">I think of Ressa and Muratov\u2019s Nobel Peace Prize win the same way &#8211; that in all the years they were being intimidated, harassed, trailed and surveilled, they kept doing their important work anyway. How? Why? These are some of the questions that\u00a0<\/span><i><span style=\"font-weight: 400;\">Pioneers, Rebels and a Few Villains<\/span><\/i><span style=\"font-weight: 400;\">\u00a0seeks to answer. Ultimately, I see in all these illustrious journalists a kind of tenacity to keep moving, keep doing the work, even if at one point all that might keep you going is an irrational momentum.\u00a0<\/span><a href=\"https:\/\/niemanreports.org\/articles\/rapplers-maria-ressa-recommends-how-to-tame-the-corrosive-effects-of-social-media\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><span style=\"font-weight: 400;\">In the words of<\/span><\/a><span style=\"font-weight: 400;\">\u00a0Maria Ressa, \u201cYou\u2019ve got to fight the battle early, or you will be too weak to fight it later on. The worst thing you can do is to stand still.\u201d<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/p>\n<p><span style=\"font-weight: 400;\">As usual, here\u2019s:<\/span><\/p>\n<ul>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>What We\u2019re Reading:\u00a0<\/b><a href=\"https:\/\/www.theatlantic.com\/magazine\/archive\/2021\/10\/the-unwritten-rules-of-black-tv\/619816\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><span style=\"font-weight: 400;\">The Unwritten Rules of Black TV,<\/span><\/a><span style=\"font-weight: 400;\">\u00a0by Hannah Giorgis in The Atlantic. Giorgis grew up in the 90s (like many of us!) watching shows like\u00a0<\/span><i><span style=\"font-weight: 400;\">Living Single, Sister, Sister, Moesha, and Family Matters,<\/span><\/i><span style=\"font-weight: 400;\">\u00a0with leading Black casts. But at some point in the 2000s, those story lines and some of the Black writers behind them seemed to disappear. This incredible 9,000+ word story traces the cyclical, uneven history of Black representation on American television<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>What We\u2019re Watching:<\/b><span style=\"font-weight: 400;\">\u00a0To be honest I haven\u2019t been watching much since watching\u00a0<\/span><a href=\"https:\/\/www.netflix.com\/title\/81040344\" target=\"_blank\" rel=\"noopener noreferrer nofollow\"><span style=\"font-weight: 400;\">Squid Game<\/span><\/a><span style=\"font-weight: 400;\">\u00a0two weeks ago.\u00a0<\/span><span style=\"font-weight: 400;\"><br \/>\n<\/span><span style=\"font-weight: 400;\">\u00a0<\/span><\/li>\n<li style=\"font-weight: 400;\" aria-level=\"1\"><b>What We\u2019re Listening To:<\/b><span style=\"font-weight: 400;\">\u00a0The LAM Sisterhood presents:\u00a0<\/span><b>KaBrazens<\/b><span style=\"font-weight: 400;\">. Specially adapted for children, KaBrazens mythologises our Kenyan heroes, so that every child can imagine themselves as Mekatilili wa Menza, as Zarina Patel, as Queen Njinga, as the forever secret spy of the Nandi. The podcast is still in production, but if you\u2019d like to be an early fan, listen to their pilot episode with your littu ones and tell the producers what you, and they, think. It could be a voice note, a letter, a picture, anything! To listen, send an email to\u00a0<\/span><a href=\"mailto:hello@lamsisterhood.com?subject=Also%20me%20please\"><span style=\"font-weight: 400;\">hello@lamsisterhood.com<\/span><\/a><span style=\"font-weight: 400;\">\u00a0titled \u201cAlso me please\u201d and they will share their 10-minute pilot episode with you and provide a simple and short feedback form.<\/span><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Greetings, friends: This week\u2019s big news was that the 2021 Nobel Peace Prize has been awarded to two journalists, Maria Ressa co-founder [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":18096,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_bbp_topic_count":0,"_bbp_reply_count":0,"_bbp_total_topic_count":0,"_bbp_total_reply_count":0,"_bbp_voice_count":0,"_bbp_anonymous_reply_count":0,"_bbp_topic_count_hidden":0,"_bbp_reply_count_hidden":0,"_bbp_forum_subforum_count":0,"footnotes":""},"categories":[113,70],"tags":[],"class_list":["post-17961","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-christine-mungai","category-barua-ya-baraza"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.7 - 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